Juste une Trace

rock

NEW SPLIT BRAIN ALBUM FOR FALL

SPLIT BRAIN presents an innovative fusion of thrash and death metal. The band stands out by using French for their lyrics, which gives their music a unique lyrical dimension and a strong cultural grounding.

The album “Écrasés par notre Héritage” by the French band SPLIT BRAIN delves into a range of deep and varied themes, exploring the evolution of emotions through tracks like “De la Colère à la Haine,” which addresses the shift from one emotional state to another, or “Acteurs de notre Déchéance,” which questions personal responsibility and the quest for self, offering a reflection on our role in the events of our lives. “Are we actors in our lives or mere spectators in the lives of others?” wonders Rémi, the band’s singer and lyricist. The irony of the album’s opening track “Il paraît qu’on a déjà tout dit” sets the tone, but SPLIT BRAIN definitely has things to say and to be heard!

“Une fuite en avant” embodies an urgent reaction to adversity, followed by “Et alors on s’élèvera…” which seems to offer hope of transcendence or liberation despite disillusionment. There’s a gentleness to the weighty messages. The melancholy of the instruments is complemented by the almost religious vocals. “Et alors on s’élèvera” as a warning or an inevitability? “Pourquoi ?!!”, the turning point is reached, everyone is involved and will be affected. The soaring guitars sound like sirens warning us, but it’s too late, as the raspy and disenchanted vocals make clear. For a moment, we think we can regain control, but the sirens are already there… “We are condemned”… And we depart, slowly, carried by the bell that seems to compel us to move forward…

The track “Jusqu’à se consumer” marks the inevitable end. It’s over! Life is no more, the violence of the departure is such that it quickly becomes clear that everything has changed. Everything happens so fast, and there’s no going back. Yet, in a moment of lucidity, it’s still possible to take stock. This moment of nostalgia, contrasting with the brutality of the moment, seems frozen in time with these acoustic guitars from another era, completed by an unfiltered, unembellished slam.

With soothing acoustic guitars, the instrumental “Reprendre notre Souffle” offers a moment of contemplative pause.

As the title suggests, the album also reflects on the influence of the past, addressing the repercussions of history on the present and the emotions they evoke, and concludes with a reflection on what we will leave to future generations: “What will they believe?”.

Together, these tracks form a meditation on the human condition, individual responsibility, and the search for meaning. As Rémi explains: “As the father of a seven-year-old daughter, I realize how much we are dependent on what we have done before. Our heritage is rich but so heavy.”

Recorded with spontaneous live takes and in analog at Studio 180 with Arnaud Bascuñana (Damien Saez, Matthieu Chédid, Les Wampas, United Guitars), the band focused on details, surprises, and extraordinary arrangements. “It was in a climate of serenity that we were able to tackle more complex technical aspects, push more boundaries, and be more daring. The analog recording, often found in Juste Une Trace productions, was chosen to give the sound a very particular texture for death metal,” explains the singer.

Through this blend of thrash and melodic death metal, SPLIT BRAIN’s album “Écrasés par notre Héritage” layers rage and reflection, melodies and audacity.

Pour en savoir plus sur SPLIT BRAIN

ÉCRASÉS PAR NOTRE HÉRITAGE by SPLIT BRAIN is available her

SPLIT BRAIN
Rémi – Vocals
Nico – Guitar
Fred – Guitar
Damien – Bass
RagnarAco – Drums

Recorded, mixed, and mastered by Arnaud Bascuñana at Studio 180
Photography by Stéphane Chorain
Design and graphic creation by c3po.lette
Production by Juste une Trace
With support from: SCPP
Release date: 10-25-2024

Lyrics and Music by Rémi Pierre, Frédéric Acx, Nicolas Dijoux, Damien Marchant, and Nicolas Jeanneteau
Published by AMOC

CO2NARD, THE MAGIC WORDS

Bagdad Rodeo, the band whose sarcasm is as sharp as guitar riffs, unveils its new single and clip, “Co2nard”, from “Quatre – L’album sans fin – Part 1”.

In a world where the oversized ego and the race for likes reign supreme, Bagdad Rodeo delivers a musical uppercut with “Co2nard”. The lyrics, as subtle as a blow of mass in a porcelain of China, explore with delight the Kafkaesque universe of the influencers and their obsession for emptiness, nothingness.

«I spend my day doing selfies» sings Bishop Delatourette, offering a scathing observation on the life of social media stars, whose depth is equivalent to that of a puddle after a shower.

Targeting digital narcissists, Bagdad Rodeo strips the superficial layers of entertainment to reveal the cynicism behind it. “Selling my mother for knacki-shaped lips,” they say with humour as black as coal.

In this new trend where the good meets the bad, even the very bad, Bagdad Rodeo refuses to remain passive. Co2nard” is a call to action, a formula for all those who refuse to see society sink into darkness, greed and egocentrism.

Bagdad Rodeo, known for his outspokenness and commitment, does not hesitate to denounce this drift in “Co2nard” and thus invites the public to join them in their fight against this new form of social parasitism, where real talent is relegated to the background in favor of manipulation and superficiality.

Bagdad Rodeo still does not make lace, and “Co2nard” is the ultimate proof. Prepare to laugh, reflect, and question your own selfies.

More about BAGDAD RODEO

QUATRE – L’ALBUM SANS FIN – PART.1 by BAGDAD RODEO is here

REVOLUTION VENDETTA ON VIDEO

BAGDAD RODEO presents the video “Revolution Vendetta”. A hymn to resistance and freedom. This incisive title is the first extract of the album “Quatre – L’Album sans Fin – Part 1”.

“Revolution Vendetta” stands out for its bold words and rebellious energy, bearing the characteristic imprint of BAGDAD RODEO. The words of Bishop Delatourette and Christobal Sanchez del Rodéo testify to an unwavering determination to remain true to oneself despite external pressures.

“Still alive, still there,
Not ready to walk,
Not ready to shut my mouth in front of you
I won’t bend, I won’t change
The rodeo will win
Revolution vendetta, fist raised in front of you”

The video was directed by Bertrand Boissimon, in the cold, perhaps in the east. The sobriety of the images contrasts with the energy of the title. The quality of the photography is undeniable. Simple, raw, authentic: real rock that spoils. With words like “I’m not dead, you won’t get me”, BAGDAD RODEO refuses to submit to the norm and continues to claim its identity.

“Revolution Vendetta” is a direct response to the current challenges of society, a call for perseverance and the defense of fundamental rights. The lyrics embody the vision of BAGDAD RODEO, a militant group that takes you on a rodeo of social satire and caustic humor.

“The fight is more relevant than ever, and BAGDAD RODEO will always be ready to take part. The exile is over…” says the group.

More about BAGDAD RODEO

QUATRE – L’ALBUM SANS FIN – PART.1 by BAGDAD RODEO is hereRelease date 26 january 2024

REVOLUTION VENDETTA BY BAGDAD RODEO

The world of rock is often home to artists who use music as a means of transmitting messages of resistance and rebellion. In this vein, Bagdad Rodeo stands out for its vibrant commitment and determination to make its voice heard.

The enigmatic title “Revolution Vendetta” seems to be the mantra of Bagdad Rodeo, reflecting a call to action, resistance and perseverance. The lyrics express a categorical refusal to comply with established norms and a bold challenge to authority figures. «Not ready to walk», says the group, stressing a determination to follow its own path. “Revolution Vendetta” is now available on all streaming platforms and is featured on QUATRE – L’ALBUM SANS FIN – PART.1 (released January 26, 2024).

References to Baghdad and the “rodeo” add layers of complexity and can be interpreted in various ways. Baghdad, often associated with political conflicts, could symbolize the struggle against oppression, while the “rodeo” could evoke the tumultuous nature of life and struggle.

An Affirmation of Freedom
Bagdad Rodeo does not just resist silently. The words underscore the continuing desire to be there to be heard, to break censorship and to proclaim their rights. It is an ode to freedom of expression, to the will to say what many think quietly.

Fist raised as a sign of challenge
The imagery of the “fist raised in front of you” is a powerful symbol of challenge and opposition. It is a bold statement affirming the continued presence of the group, elusive to death, persistent despite the challenges.

A musical force of revolt
By combining powerful lyrics with explosive rock energy, Bagdad Rodeo emerges as a musical force of revolt. Their music not only draws crowds, but also inspires reflection and change.

Committed rock fans will certainly find a powerful voice in Bagdad Rodeo. Their hymn of rebellion, “Revolution Vendetta“, resonates as a call to action, a reminder that even in the darkest moments, music can be a driving force for change. Bagdad Rodeo invites us to raise our fists, to resist and to fight for a world where freedom and justice prevail.

More about BAGDAD RODEO

QUATRE – L’ALBUM SANS FIN – PART.1 by BAGDAD RODEO is hereRelease date 26 january 2024

PAUL PÉCHENART SHARES HIS CORNER OF HEAVEN

« Mon coin de ciel » is the seventh album by Paul Péchenart. Authentic Rock guitarist and co-founder of the Dogs in the 70s, Paul Péchenart tirelessly composes new songs.

Like Paul Péchenart’s last albums, the writing and production of the music took place over a period of about 2 years. Most of the songs are original, unpublished and recent. The general tone is reminiscent of the one already explored in previous productions. We only talk about what we know well. In this case, it is cities, relationships, travels, questions and surprises that it is.
If it were a film, it would be classified in dramatic comedies where the lightness of images meets darker atmospheres. The opposition of these opposites gives relief to the whole. The emotional context is tinged with melancholy but also sunny enthusiasm.
Talking about this new album is talking about songs, translations in words and sounds of what makes the salt of our days. It is to speak of Paul Péchenart’s personal way of looking at the world and the people who inhabit it.

Paul Péchenart (Lead vocals, guitars, ukulele)
Paul Péchenart Junior (guitars, percussions, piano, background vocals)
Esteban Avellan (Bass, electric guitar)
Théo Bertou (Drums, percussions)
Camille Feist (vocals on « Plus léger que l’air », background vocals)
François Casaÿs (Keyboards)

All songs and compositions by Paul Péchenart
Arrangements by Paul Péchenart Junior and Esteban Avellan
Recorded and mixed by François Casaÿs | Accès Digital
Photos : Vincent Gilot and Ben Gaston for Camille Feist
Artwork : Carole Cettolin
Production by Paul Péchenart, Paul Péchenart Junior, Esteban Avellan and Théo Bertou
Release date :  10-11-2023

More about Paul Péchenart

MON COIN DE CIEL by Paul Péchenart is available here

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