Juste une Trace

jazz

A Shrine in Your Home, the ballad

With this new title available for streaming on March 7, 2025, the trio Gary Brunton, Daniel Beaussier and Célestine De Williencourt unveils a little more the album LOOK NORTH (released on March 28, 2025).

A unique musical journey that evokes the wide-open spaces of Northern lands (Island, Scotland…) with a strong vocal presence, performing original works and inspired contemporary improvisations. Through a narrative and lyrical approach to jazz creation. This song is a tribute to pianist Michel Graillier: “He shared Chet Baker’s natural gift of ballad playing, musical beauty, good taste and effective use of space,” recalls Gary Brunton.

Gary Brunton, double bassist and tabla player, has forged a solid career for himself in France. An acclaimed composer and arranger, he has collaborated with such iconic figures as Sheila Jordan and Bojan Z.
Daniel Beaussier, master of the winds, explores a vast range of instruments. His English horn and clarinet playing enriches the deep harmonies of Coldstream.
Célestine De Williencourt, a passionate vocalist and flautist, breathes a singular, poetic energy into the mix, between vocal improvisation and timbral exploration.

A Shrine in Your Home is available now on all platforms, and soon on the LOOK NORTH album.


Produced by Jazz En Face
Recorded by Yohan Progler at Studio Parc de Sceaux
Mixed and mastered by Manu Pekar
Photographs by Camille Huguenot
Graphic Design by Corinne Garino
Released by Juste Une Trace
With support : SCPP
Release date : 28-03-2025

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LOOK NORTH (CD) is available in preview now

Discover COLDSTREAM, the first track on Look North

The trio of Gary Brunton, Daniel Beaussier and Célestine De Williencourt unveil COLDSTREAM, the 4th february 2025 on streaming, a single taken from the album LOOK NORTH (released date : 28 March 2025).

Inspired by British bassist and composer Gary Brunton’s childhood memories, the track offers a poetic immersion in landscapes of mystery and emotion, where mists stretch over vast expanses of water and every note seems to evoke the murmur of the River Tweed or the changing light of a Scottish morning.

Gary Brunton explains: ‘Coldstream is a small Scottish town where I spent my childhood holidays. Crossed by the River Tweed, it was my first trip abroad at the age of six, full of discovery and wonder. It was these memories – the coldness of the water, the fog on the rivers, the immensity of nature – that inspired me to write this melody’.

The title, literally translated as ‘cold stream’, recreates this sensory climate through a delicate composition. ‘As a child, I have memories of swimming in a river in Yorkshire, a sensation of intense cold. So I was inspired by these memories and I was looking to create a musical climate where you could imagine the fog, the icy water’.

Between E minor and C major, Coldstream blends the sounds of Gary Brunton’s double bass, Daniel Beaussier’s bass clarinet and English horn, and Célestine De Williencourt’s voice and flutes. Together, the three artists explore a world of sound where tradition and modernity meet.

In this composition, musical interactions are at the heart of the creation: vocal improvisations played through the flute, a subtle dialogue between the double bass and the English horn, and sound textures that evoke in turn the cold light of dawn and the immensity of the Scottish landscape.

Gary Brunton, double bassist and tabla player, has forged a solid career for himself in France. An acclaimed composer and arranger, he has collaborated with such iconic figures as Sheila Jordan and Bojan Z.
Daniel Beaussier, master of the winds, explores a vast range of instruments. His English horn and clarinet playing enriches the deep harmonies of Coldstream.
Célestine De Williencourt, a passionate vocalist and flautist, breathes a singular, poetic energy into the mix, between vocal improvisation and timbral exploration.

With Coldstream, this exceptional trio embarks on a deeply evocative musical project. Coldstream is available now on all platforms, and soon on the LOOK NORTH album.


Produced by Jazz En Face
Recorded by Yohan Progler at Studio Parc de Sceaux
Mixed and mastered by Manu Pekar
Photographs by Camille Huguenot
Graphic Design by Corinne Garino
Released by Juste Une Trace
With support : SCPP
Release date : 28-03-2025

More about musicians

LOOK NORTH is available in preview now

NEW TRIO FOR LOOK NORTH

Gary Brunton, Daniel Beaussier and Célestine de Williencourt form a brand-new trio of multi-instrumentalists with a strong vocal presence, performing original works and inspired contemporary improvisations. The trio express itself via a certain form of Jazz Chamber Music. Through a narrative and lyrical approach to jazz creation, LOOK NORTH, the trio’s first album, takes you on a unique journey that evokes the wide-open spaces of Northern lands. An invitation to discover their captivating melodies and exciting spontaneous improvisations.

Gary Brunton (double bass, tabla) evolves in the company of Daniel Beaussier (oboe, clarinets, saxophones, flutes, English horn) and Célestine De Williencourt (voice, flutes). They form a unique trio, with each instrument playing its role in a fluid, organic musical conversation. The diversity of the musicians’ instruments and influences (Jimmy Giuffre, John Surman & Karen Krog, Jim Hall, Gary Peacock, Carla Bley), creates a rich atmosphere, both intimate and expansive, where improvisation plays a central role.

Gary Brunton (Double Bass, Tabla)
Daniel Beaussier (Soprano and Baritone Saxophones, Clarinet and Bass Clarinet, Alto Flute, Oboe, English Horn)
Célestine De Williencourt (Vocals, Flute)


Produced by Jazz En Face
Recorded by Yohan Progler at Studio Parc de Sceaux
Mixed and mastered by Manu Pekar
Photographs by Camille Huguenot
Graphic Design by Corinne Garino
Released by Juste Une Trace
With support : SCPP
Release date : 28-03-2025

More about musicians

LOOK NORTH is available in preview now

GWAWR, THE DAWN IN WELSH, IS A CAPTIVATING JOURNEY, MEMORIES AND FEELINGS SET TO MUSIC

British double bassist and composer Gary Brunton returns to the forefront with his brand new album, “GWAWR.” This eagerly awaited new album offers a wonderful immersion into the world of jazz, driven by original compositions and moments of palpable emotion.

Accompanied by saxophonist François Jeanneau, drummer Andrea Michelutti, and pianist Paul Lay (Emil Spanyi on three tracks), Gary Brunton once again takes us on a musical journey rich in emotions. Through “GWAWR,” the double bassist tenderly revisits significant moments of his life, drawing inspiration from the beloved Wales.

The album opens with “Fort Steven No.5” a vibrant tribute to a departed friend, skillfully blending modal jazz and funk, reminiscent of John Coltrane’s spirit. With “Tim’s Tune” Brunton earnestly addresses the pain of losing a loved one, demonstrating his resilience in the face of adversity.

Throughout the tracks, “GWAWR” transports us to the streets of Gary Brunton’s childhood in Burnley, through compositions such as “Lansdowne,” evoking buried memories, or “Hawthorne” and “Ramsbottom CC” immersing the listener in the world of childhood games accompanied by the sound of cricket bats.

The album also offers moments of pure escapism, such as “Chant in the Night” an enchanting composition by Sidney Bechet, elevated by François Jeanneau’s masterful playing and Andrea Michelutti’s bewitching drums.

Gary Brunton reveals that “GWAWR” is colored by Wales, where he has lived. This album is also marked by nods, like “What a Dream” the B-side of “Chant in the Night.” François Jeanneau proposed this piece, highlighting Paul Lay’s stride piano playing.

Finally, “GWAWR” concludes triumphantly with “Song for BWB” a “latino”-inspired composition dedicated to Gary Brunton’s wife, Béatrice, perfectly embodying enduring love. Started just after their wedding, it took him 30 years to finish and reveal it.

“GWAWR” thus offers a captivating musical experience, driven by Gary Brunton and his accomplices’ undeniable talent. With this album, the quartet invites us to embark on their train for a journey into the heart of memories and emotions. The videos accompanying many tracks of the album are made with archival footage from the Brunton family, serving as a natural and authentic continuation of the album “TREN DYDD” (Juste Une Trace, 2023).

Gary Brunton – Double bass
François Jeanneau – Sax Soprano
Andrea Michelutti – Drums
Paul Lay – Piano

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Release date : 26 april – available now

Produced by Gary Brunton for Juste Une Trace
Studio Producers -Thomas Savy, Serge Merlaud & Bojan Z
Recorded and mixed by Vincent Mahey and Arthur Gouret at
Studio Sextan
Mastered by Raphaël Jonin

All compositions by Gary Brunton
Published by Amoc
Except “Chant in the Night” and “What a Dream” by Sidney Bechet (Exclusive Publications Inc.) an “Poem for n°15” by Steve Khun (Stelk Music Co.)

Photos by Camille Huguenot
Graphic design by Corinne Garino

GWAWR by Gary Brunton

Following on from the warmly received success of his last album, ‘TRÊN DYDD’, the British double bassist and composer Gary Brunton invites us to continue our musical journey, guided by the same talented musicians. In the form of a quartet, with French saxophonist François Jeanneau, Italian drummer Andrea Michelutti, young French prodigy Paul Lay on piano (and Hungarian Emil Spanyi on three tracks), Gary Brunton once again takes us to Wales, and evokes with tenderness pivotal moments of his life, drawing on personalities from his family and close friends. With “GWAWR”, Gary Brunton takes us back on board the jazz train.

The album opens with “Fort Steven n°5“, a tribute to a tragically lost friend, blending modal jazz and funk with the spirit of John Coltrane.

Following this powerful introduction, Gary Brunton evokes a difficult moment in his life. With ‘Tim’s Tune‘, he points to the pain of losing a son and resilience in the face of adversity.

Composed and proposed by pianist Steve Kuhn, “Poem for n°15” refers to a baseball player, while “Lansdowne” takes us back to Gary Brunton’s childhood address in Burnley, exploring memories buried in the street corners of his youth.

The album also contains moments of pure escapism, such as “Chant in the night”, a composition by Sidney Bechet, which transports us into his very special world and features the masterful soprano saxophone of François Jeanneau and the jungle drumming of Andrea Michelutti. For Gary Brunton, “GWAWR” was born out of the rich cultural and human experiences that he enjoyed during his time in Wales. “I lived in Swansea and have always loved the sound and rhythm of the Welsh language”.

Gary Brunton’s rendition of Bechet’s ”What a Dream” pays tribute to the golden age of jazz but is tinged with a touch of modernity and freshness.

In the Paddock” invites us to relive the palpable excitement that reigns in a paddock before the start of a horse race. Inspired by family memories, “My dad and grandad were both passionate about horse racing, « the bookies » as they called them. Betting on the ‘Gee Gee’s’ (horses) was a daily routine but fortunately they only spent small amounts… and sometimes won “In 1957, saxophonist Benny Golson wrote the song Stablemates. This song was inspired by that Golson composition and uses the same chord progression.”

Hawthorne” and “Ramsbottom CC” take the listener back to the composer’s childhood, evoking the long hours spent playing with his friend Steven Fort in the streets of Burnley, lulled by the sound of “ leather on willow” (red ball hititing the cricket bat).

The album also features three compositions from “ TRÊN DYDD”. “Jonquilles” (Daffodils) is a new duet with Paul Lay. “Brew Ten” is a piano/double bass/drums trio, also with Paul Lay, and “Energy Master Loc” has a livelier tempo and no theme at the start, but is enhanced by a double bass solo.

These alternative versions offer an opportunity to appreciate the compositions from a different angle, with arrangements and performances that add nuance and variation to the instrumental music.

“GWAWR” culminates in “Song for BWB”, a Latin-inspired composition dedicated to Gary Brunton’s wife Beatrice, closing the album on a note of love and gratitude.

Gary Brunton – Double bass
François Jeanneau – Sax Soprano
Andrea Michelutti – Drums
Paul Lay – Piano

More about musicians

Release date : 26 april – available now

Produced by Gary Brunton for Juste Une Trace
Studio Producers -Thomas Savy, Serge Merlaud & Bojan Z
Recorded and mixed by Vincent Mahey and Arthur Gouret at
Studio Sextan
Mastered by Raphaël Jonin

All compositions by Gary Brunton
Published by Amoc
Except “Chant in the Night” and “What a Dream” by Sidney Bechet (Exclusive Publications Inc.) an “Poem for n°15” by Steve Khun (Stelk Music Co.)

Photos by Camille Huguenot
Graphic design by Corinne Garino

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